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Re: The Six Basic Typefaces of Massimo Vignelli
To put Massimo Vignelli in context, in his day most graphic designers and art directors had access to very few text faces, and these were the classic serif designs, plus Helvetica, Univers and Futura…4 -
Re: Dalton Maag is recruiting
Actually, I am the actual type designer, and share the royalties with myself. It would be nice if Google paid royalties, too, as well as fee. While still providing the fonts libre. They could certain…6 -
Re: Terms and Definitions - a Cheat Sheet - Help/Insight
Very good! I use a slightly different terminology in places, but one doesn’t have to be single-minded. The only error is in calling the lowest sharp point a vertex, which usually means the same as ap…1 -
Re: Projects Google Fonts ought to fund in 2023?
Thanks John, I wasn’t aware of that. I don’t know about the Cyrillic, but the Latin connected doesn’t match the plain version very well, it’s too bouncy, not neat enough. There is certainly design sp…0 -
Re: lcaron and dcaron
I would suggest plenty of sidebearing, so that in a word like Veľká, the accent looks closer to its letter than the next. For the same reason, be wary of kerning with x-height letters, in words such …5